The latest release from Gizeh Records is a collaborative release from French quartet Astrïd and American pianist and former member of Rachel’s, Rachel Grimes. Grimes’ music I am familiar with when she was with Rachel’s, but I haven’t kept up to date with her releases on the likes of Temporary Residence, etc… Astrïd is a group I was familiar only in name with Cyril Secq having a collaborative release with Orla Wren on Dronarivm and three of the members being joined by Sylvain Chauveau as Butterfly in the Snowfall on Home Normal (as well as appearing on the “Elements” series of compilations as Astrïd). Astrïd have previously appeared on the Arbouse Recordings, Monotype and Rune Grammofon labels. They comprise of Vanina Andréani : violin, kalimba, metallophone, Yvan Ros : drums, percussions, Cyril Secq : guitars, harmonium, Juno, Rhodes, bass and Guillaume Wickel : clarinet, bass clarinet, Juno.

The album is the result of mail and email exchange that led to two lots of songwriting in France. Astrïd invited Rachel to come for a residency to make music together and play shows in France. They gathered for a few days, here and there, in 2012 and 2013 to write songs in Cyril and Vanina’s home studio in the countryside.

Gizeh Records describe the record as “The compositions found on Through the Sparkle glow with a unique, connected energy and a pure, instinctive musical understanding. Considered contributions from all sides allow the pieces to unfurl naturally. Each note and phrase feels like it simply couldn’t be placed anywhere else in the album. Charming, gentle and cinematic sounds are found here in abundance. Melodies circle and reveal themselves without force, allowing the listener to focus and explore the depths of what is on offer. Musically, Through the Sparkle is an expansive and evocative album.”

“The Herald en Masse” – Grimes’ piano is the first thing you hear before Violin, Brushed Percussion, Clarinet and other instruments combine to create a track that has elements of the almost Folky / Post Rock sea inspired music of Rachel’s “The Sea and the Bells” and the meandering feel of The Dirty Three (Ros’ brushed percussion also brings to mind Jim White). The elements build up nicely with each occupying their own space giving a feel of an orchestral recording rather than that of five musicians. The piano anchors the track while other elements like guitar and clarinet are able to color the sound and come screeching in or providing more depth.

“M5” – Secq’s tremelo guitar opens the track with long spindly chords that spread outwards before being joined by minimal piano lines and string based drones for the first half of the track with the guitar setting the dark mood. This all changes with briskly played piano with an urgent sound is joined by brushed percussion, kalimba, clarinet and guitar (which has changed from darker mood to a more melodic tone). The Clarinet builds up the melody in mirror like form to the guitar with the percussion keeping the pace with the piano. It is a track where the instruments are in sync with each other.

“The Theme” – Haunting Clarinet and chiming tremelo guitar combine with kalimba, piano, brushed percussion and violin in an almost improv style with the elements colliding at times while at others occupying their own space. It all comes together in the last minute of the track largely led by sparse drums which give the track a direction to go in.

“Mossgrove & Seaweed” – is a track that is purely about building tension between the instruments. What sounds like layering of piano and Rhodes keys hammered that build up on intensity with harmonium coming through and string drones. The instruments keep building to a crescendo where the strings and harmonium alongside the cymbals take over the track before it is paired back to the elements of the start and brings it all back to where it started.

“Hollis” – is the track featured on both Soundcloud and Spotify and it is easy to see why. It starts with a barely audible drone that piano is then added to before swinging jazz-style drumming comes in supported by bass, clarinet, metallophone and kalimba and has a jazz meets post rock and almost trip hop feel. There is a swing to the playing that is under pinned by the great drumming which drives the track along as well as the piano does in the start. The other elements add different textures and color to the track, with the clarinet adding a melodic is slightly melancholic feel.

“M1” – Secq’s prepared sounding guitar opens the track with a melody underneath it presumably from the Juno. The feeling of the guitar is almost Western in sound. As it unfurls the bass clarinet comes into sound and slowly other elements are added like percussion, Rhodes, Piano and the guitar drops out. It builds up after the Rhodes and Piano to become fully formed alt folk piece where the strings take the place that guitar once held and work well in tandem with the clarinet gives two different types of sound – the higher sound of the violin meets the bass tones of clarinet.

“Le Petit Salon” – is a stunning piece of cinematic music with mournful violin strings cutting above piano with a haunting feeling that would be well placed in a period movie about loss. Other instruments start to fill out the sound like bass clarinet and harmonium, prepared guitar playing screeches and off kilter urgent ramshackle drumming careens around. The extra instruments give the piece weight but don’t over power the two main instruments and the overall theme of the track.

The playing and compositions of this album give you the feeling of a long-standing band, not a band and a collaborator. The way Astrïd and Grimes fuse together is so seamless with each others influences forming together to create something their own. Elements of Grimes’ sounds developed in Rachel’s come through and fit nicely within the Astrïd framework to provide an enjoyable and cohesive piece of work. The label describes it perfectly : “Through the Sparkle is a record of miniature symphonies, of elegant restraint. A gracious and generous offering from a group of musicians at one with each other and at the top of their game.”

You can buy the album here.

Astrïd

Rachel Grimes

Gizeh Records

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