Dronarivm return to the musically fertile country of Italy for their latest release. Although the release is credited to Enrico Coniglio and Matteo Uggeri there are a decent amount of collaborators on this release such as vocals/lyrics coming from Francesca Amato’s (aka Comaneci), Lau Nau, Violeta Päivänkakkara and British actor John Guilor. Extra brass from Fabio Ricci (Vonneumann), electronics from Guilio Aldinucci and Stella Riva (Satan Is My Brother) and mastering by James Plotkin rounds out the collaborators.
The label describes the collaboration as s result of fruitful email conversations and describes the collaboration as “Sweet and minimal melodies on piano, organ and guitar of Enrico meet the efforts of trumpet and drums of Matteo whose electronics treatment and delicate beats provide the solid ground to a music that seems a perfect match of the two artists sensibility. “Open to the Sea” explores a variety of merging organic sounds where the calm and intimately of the album is disrupted by incursions of gentle noises and sometimes curious juxtapositions.”
Coniglio describes himself as a guitarist environmental sound recordist and sound artist with an interest in the landscape aesthetics. He has previously appeared on labels such as Fluid Audio, Cronica Electronica, Taalem, Glacial Movements as we as co-running the digital label Galaverna.
Matteo Uggeri is a frequent collaborator with releases with artists such as Andrea Ferraris, Maurizio Abate and Christiano Deison on labels such as Hibernate, Time Released Sound and Scissor Tail to name a few.
“Open to the Sea” starts off with Francesca Amato’s sweet sounding double track voice reciting the title. Ambient tones and granular glitches start the track which is no hurry floating at a gentle pace. Lau Nau’s haunting vocals float over the soundscape which is building in intensity ever so slightly before violin cuts through and field recordings of possibly a market place enter that are crisp enough to make you think they are there in the room with you. I would file this under electroacoustic sound art than as ambient per se.
“Jessaias de reduire mes medicaments” begins with Scanner-like recording of a phone conversation/ interview which is joined by melodic ambient tones and musical saw like drones which are peppered by glitchy electronics that are pulsing and phasing. This short track combines the experimental elements alongside the more the melodic electronica and fuses them together well.
“Up Over The Harbours Lights” Coniglio’s guitar opens the track in a blues like style alongside ambient drones that coincide with the final strum of the guitar before piano, industrial sounds, field recordings and samples enter the sound mix. The track shows the musicians soundtrack-esque construction to create a sound palate of dissimilar origins to work together.
“I Am The Sea” features Violeta Päivänkakkara on vocals and lyrics and starts with her ethereal vocals before melancholy minimal piano, guitars, synths, distant percussion, bells, electronics and trumpet fuses together to form a track that is so many genres mixed into one. The haunting trumpet that cuts through mixed with Päivänkakkara’s vocals, alongside piano and electronic and traditional percussion works so well as it covers post rock, electronica, Electroacoustic and soundtrack works so easily.
“Floating Metal Sheets” this experimental sounding track sees assistance from fellow Italian and Dronarivm artist Guilio Aldinucci. This track starts with acoustic guitars and some sort of background percussive noise source that I can’t get my head around. Some crackling electronics start and flutter with drones lightly covering them as a rolling noise pans left and right. Trombone joins the track with an effect similar to a car slamming on its breaks, before changing to slow mournful blowing over the acoustic guitars while electronics scatter about.
“Dutch Street Theatre” features UK voice over artist and actor John Guilor who has worked on Dr Who. Guilor’s narration is laid over piano, drones and violin and field recordings of people talking. I am not sure where the narration comes from and whether it is related to the theme of this album, but it doesn’t personally work for me.
“Now I’m Silent” starts with an electronic heart beat sound paired with darting drones, piano and percussive noise with electronic whistling, before venturing into jazz territory with wailing trumpet and electric guitar, disjointed gunshot drums. It’s a track of two quite separate halves that work well separately, but take time to get used to the differences.
“Allarme” begins with a broken piano like opening, before alarm sounds pan in and out and glitch electronics, cymbals and piano are gently caressed. Field recordings, possibly of radio or loud-speaker transmissions traverse the piece that is being slightly held together by piano while non traditional percussion rattles and rolls with brass instruments and intermittent sounds. Again Coniglio and Uggerri manage to fit a lot of source material in a piece that while at times seems like a juxtaposition, but also compliments one another.
“I Say I May Be Back” sees radio samples and static overload piano with a hint of paning banjo, guitars and percussion that has a nautical feel with Francesca Amato’s vocals that bring the album full circle with the recurring title line. The instruments one by one break down leaving Amato’s voice to finish out the album much like she started it.
“Open to the Sea” is not a straight forward album to get a handle on. There are so many constituent parts that make it up and it covers Ambient/Drone/Post Rock/Experimental/ Electroacoustic genres, sometimes in the same track. The thing it has going for it is it’s unpredictability and it’s depth is that it’s not a release that can be easily glossed over. Most of the tracks work extremely well and the depth that James Plotkin has gotten in the master allows for that richness and shows why he is one of the most popular masterers around. There is a special version of the release limited to 50 copies which comes with a jigsaw and bonus digital ep.